Da Vinci and Freud Essay Example | Topics and Well Written Essays - 1500 words

Da Vinci and Freud - Essay ExampleThe notebooks that Da Vinci left behind disclose an exception eithery full of smell and incisive mind swimming with so m whatsoever fantastical initiatives that it would have taken several lifetimes to bring and the realistic to fruition. As a will of what he did accomplish and the very breathtaking scope of what he intended to accomplish, for most of his legacy Leonard Da Vinci has been relegated to that airy sphere of the genius, removed from the rabble of consistent mediocrity. For this reason, Da Vincis image has tended to withstand present-day(a) assaults and interpretations through the ages. Safely removed to a period considered among the heights of human achievement, it has always been easier to simply dismiss any realistic examination into the psyche of his mind by explaining him inadequately away as a genius.The past century, however, has witness a revitalization of the image of Da Vinci that has gotten particularly vital in the past few decades. No longer content to explain away artistic prodigy with the lame excuse of genius, the fine investigation into what has made Da Vinci a titanic figure in history has come down to earth through careful examination of all extant material. Da Vincis exertions on an assortment of subject matter have made its way across the world, found in museums on nearly either continent. It has even come to light that not everything that is found in the scribbles of those notebooks originated in the mind of Da Vinci himself he possessed not just a originative mind, but an interpretive mind as well, adapting pre-existing ideas. This new information and the analysis of what had already been known have supplied an enhanced considerate for the process by which Leonardo benefited from the ideas presented by both his peers and predecessors. In this way, Leonardo has been lowered a little closer to earth, while still striding over most of us deal an Olympus. Without doing anything to reduce his accomplishments, this new portrait of Da Vinci serves to reveal a figure that is somehow more human and even vulnerable. Yet, despite an artistic canon that is famous for a massive fresco depicting the Last Supper of Jesus Christ, as well as countless portraits of the Madonna and baby Jesus, Leonardo Da Vincis contemporary idealization is based upon the conception of the artist as a secular figure. Da Vinci, despite his clear talents as a traditional artist of scriptural images, is foremost grounded in the modern consciousness as a scientist who used his art as a device for peering into the clandestine world that lies hidden just behind the veil of knowledge. The great irony of Da Vincis life may be that his fame rests greatly upon two of paintings that considered the ultimate Renaissance accomplishment of bringing to life the mysteries of the human soul while he was as a person actually rather disinterested in the affairs of men such as religion and politics. Clearly, Leonard o Da Vinci ranks as one of historys greatest intellectuals, despite his self-exile from much of the realm of society. Just as obvious from the sheer breadth of his accomplishments and the truly astounding range of his interests, Da Vinci suffered-or perhaps thrive would be apt-from conditions related to obsession. Intellectualization is a psychological term used to describe the endeavor of obsessive to sublimate uncomfortable emotional disorders through the